Yes, Duo-Vision. Two separate
plotlines were shown split screen for the entirety of the movie.
(Cf. Timecode (2000), which had four frames of action. This makes
it potentially twice as bad as Wicked, Wicked.)
So,
in honor of the lost classic (?), we present B-Fest in (dah-dum-daaah)
Duo-Vision.
| What
was happening in the program |
What
was happening in the audience |
6:00ish PM
Introduction
An anonymous MC tells us two important things. One, the
schedule we were given may not be accurate. To illustrate this
point, he rips a copy in half.
Second, he asked people to behave responsibly with laser
pointers. |
Schedules? Schedules?
We don' need any stinkin' schedules! We got people
like Ken Begg coming to these things with intentional ignorance of
such distractions.
We didn't get to hear the official penalty for irresponsible
lasing. Most of us were vocally suggesting a few of our own. |
| Reform School Girl (1957)
Girl in a bad home gets mixed up with the wrong boy. Wrong
boy kills a man in a traffic accident. Girl takes the rap goes
to reform school snake-pit.
|
Minor disappointment among the
B-Masters Cabal. We were expecting The Brain from Planet
Arous (1957), which is why the first feature of the evening was
sponsored by that insidious group. Ah well. We coulda done
worse for a sponsorship.
One of the characters is a shell shocked girl. Her line was
"I'm going to have a baby." She isn't, but she
seemed to like to say it. An innocent "I'm going to have
a baby" became a running gag for the audience for the next twenty-four
hours.
The slide-whistle dude was in the audience. He matched an
actor's overplayed disappointment with a descending pitch.
He'd be offering his restrained, carefully selected commentaries
during other movies. |
| Greaser's Palace (1972)
In the old west, a town is ruled by a psychopathic tyrant.
A man with a white sheet over his head secretly causes people to
freak out. Elsewhere, a traveling entertainer in a zoot suit
called Jessy comes to earth via parafoil. He goes to the town
and works a few miracles. Meanwhile, a woman survives the
murder of her husband and child but is perpetually
attacked by unseen snipers while a fatherly man watches in the
distance. Surreal and intentionally absurd. |
Yes, it's "Waiting for God-ot."
Andrew Borntreger pointed out the allegories to Christianity.
"OK, so that's Jesus. That's the Holy Ghost."
And, of course, the fatherly man was God the Father. (I
somehow don't recall them catching the last train for the coast.)
[Most of the good one-liners I remember came from Andrew.
But then, I was sitting next to him....]
The audience was caught off guard by this one. Sure, you get
weird stuff at B-Fest, but not like this. Many were expecting,
per the title, that this would be about either Sha Na Na or auto
mechanics. Like it or hate it, you don't forget it. |
| Blood of Dracula (1957)
Girl goes to a private school snake-pit. Her chemistry
teacher is doing secret experiments with hypnosis and a purportedly
magical amulet. Teacher sets it up so girl will turn into a
vampire at the proper moment. |
Hmmmm. What if Reform School
Girl had a mad scientist? Audience reacted to this one
with shouts of "Where's Dracula?" and "Where's the
blood?" and "I'm going to have a baby!"
Story was interrupted by an unnecessary appearance of a young man
singing a song called "Puppy Love." Eureka!
Another running gag for the evening. |
| Cleopatra Jones and the Casino of Gold
(1975)
A Grace Jones built-alike is sent by her employers to Hong
Kong. She is to stop an evil female Caucasian's crime
syndicate. Along the way, our heroine hooks up with a local girl
and, eventually, two streetwise dudes. Blaxploitation meets
Hong Kong action. |
Jabootu (the website, not the demigod)
sponsored this one. Good choice. Not because it's a bad
movie, but it's surprisingly entertaining.
Norman Fell played Cleopatra's boss. Audience references to
Three's Company ran rampant.
An awesome set up. Andrew had been running the "pull
my finger" gag. That is, someone in a movie points at
someone, Andrew shouts, "Pull my finger." This time
around, his "Pull my finger," was followed by "Dammit!
Pull my finger!" The other character grabbed the pointing
appendage. The audience loved that. |
| What is Communism
Short documentary presented by Herbert A. Philbrick (of I Led
Three Lives and I Was a Communist for the FBI).
Philbrick tells the audience that Communists are tricky and cites
various examples. |
This is a perennial film.
Traditional ritual is to shout "U-S-A! U-S-A!" in a
fervor of mock patriotism.
Meanwhile, many of us who were on active duty during the Cold War
stepped outside for some air. |
11:50ish PM
Break(dance) (What it said on the schedule)
Various short presentations and recognitions. |
Last year, yours truly whined like the
sore loser he was when he didn't get the prize for coming the
longest distance. This year, he didn't whine. Not for
better manners, though. Of course, now he feels guilty for
beating out that guy from LA. ("Missed it by that
much.")
The prize? A VHS copy of The Pit of Bloody Horror
(1965). Maybe I'll do a B-Note on it sometime.
[Uh oh. According to www.ask.com,
the distance from Evanston, IL to Los Angeles is 1751 miles;
to Chula Vista, CA, a mere 1731. Aw, dammit! Could
the gentleman from LA please contact me? It appears I owe him
a videotape...] |
| The Wizard of Speed and Time
Short subject about a man in wizard robes tearing across the
country via the magic of Kinestatic animation (i.e., the actor is
the subject of stop motion animation). Features a musical
finale with the wizard and animated camera equipment.
Awesome. (The feature version by the same title is about the
making of the short -- sort of.) |
Another perennial event is the Wizard
Freakout Ritual: Energetic members of the audience run to the
stage and stomp their feet quickly for the running scenes and in
time to the music for the finale. Then the film is played upside-down and backwards. |
| Plan 9 from Outer Space (1958)
Aliens try to communicate with the people of Earth, but their
attempts are thwarted by a government conspiracy. They up the
ante by buzzing Hollywood in flying saucers and reanimating some
corpses.
The reason why the aliens must communicate with the Earthlings is
to warn them about and stop them from using a new weapon called the
"solonite bomb." This device will explode sunlight
in a chain reaction that would destroy the known universe. Or
so one of the aliens tried to explain. |
The third perennial event. This
one has become scripted for the audience per The Rocky
Horror Picture Show. Details are covered elsewhere.
Since this has become heavily ritualized, you rarely get anything
new from the audience. Sometimes you do. For example, every time
a character went through a sliding door, Andrew intoned,
"Thank you for making a simple door very happy."
Good, obscure reference to Hitchhiker's Guide to the Galaxy,
that.
The "B-Fest Players" is an unofficial name for an unofficial group who'll run small skits
during the movies. Two of them got up on stage. One of
them was holding a large stack of poster board cards. During
the explanation of the solonite bomb, the one with the cards started
flipping through them while the other pointed to the pictures on the
cards. They'd done PowerPoint style presentation on the
cards. (Heh, like they say in communications classes, if you
think your lecture may be weak, go with your visuals...) You
can read more about their adventures at The
Wayfarer. |
| Gorgo (1961)
After a volcano opens up off the coast of Ireland, a large
dinosaur type critter rampages. It is captured and put in an
amusement park in London. Then the critter's Godzilla sized
parent shows up and levels the town looking for its
baby.
(Cf. The Lost World (1925), wherein a dinosaur rampages in
London, and The Lost World (1998) wherein a dinosaur
rampages in San Diego while looking for its baby.) |
The men of StompTokyo sponsored this
one.
During the story, a man enters a diving bell. A commentator
in the audience parodied the man by putting on a thick berserk
brogue and declared the bell to be his mother (as in returning to
the womb). After a bit of this ranting, the
commentator-in-character shouted that he wanted to, "take seven
gallons o' milk down wit' me an' suckle all day."
Commentator dropped this shtick after that; he'd even weirded himself
out. |
| Gavotte (1967?)
Short subject about two little people, dressed in 18th century
finery, fighting over a seat. |
At least it wasn't as weird as Greaser's
Palace. |
| War of the Colossal Beast (1958)
This is the sequel to The Amazing Colossal Man
(1957). Giant with half his face missing goes on a rampage in
Mexico. He is captured, taken to America, and goes on another
rampage. |
It was past three in the
morning. Most folks were discovering the backs of their
eyelids. |
Sweet Smoke
Buried Treasure (1925)
Two vintage cartoons, probably not seen by many back then, and definitely
not for the kiddies. The first showed puffs of smoke drifting
into various pornographic images. The second was about the
penile misadventures of one Mr. Eveready Harton. |
Audience comments were variations on
"Ugh!" |
| Invasion of the Bee Girls (1973)
Government agent is sent to investigate the death of a
physicist. He discovers a pattern of male death during
sex and an unusual conspiracy of a group of women. |
Lots of nudity and sex, but after Greaser's
Palace and Buried Treasure, this one was starting to look
tame. Bee puns swarmed from the audience. |
| Solarbabies (1986) E.T. meets Mad Max meets Oliver meets
Xanadu. Children at an orphanage in a dystopian future
find a living orb of light. Evil people want the orb for their
own nefarious purposes. The kids can skate real good, so they
save the world by skating real good.
Directed by Alan Johnson, who was a choreographer for Mel Brooks.
(Cf. Prayer of the Rollerboys (1991)) |
Regrettably, the projectionists were
having a problem adjusting the Cinemascope lens required for the
print they had. Therefore, the image was blurry until they
gave up and showed it without the lens. Result: The audience
got it all squeezed together (much like the plot). |
7:30ish AM
Break(fast) (What it said in the schedule) |
Unfortunately, the cafeteria at Norris
Center (where this event was held) wasn't open this early.
Couldn't even get a cup of coffee. |
| Wild in the Streets (1968)
A pop music icon manipulates a few politicians and the
media. The voting age is lowered to fourteen. He becomes
president. Groovy fascism follows, baby. (Cf. "Returned
for Regrooving" on Waiting for the Electrician or Someone
Like Him (1968) by Firesign Theatre.) |
Second reel was not respooled from its
take-up reel after a
previous presentation. It came out in reverse and upside
down. (See Wizard of Speed and Time above.) Lot
of the audience and staff dug it that way. Perhaps if you
dropped acid while watching it like this, you'd see Greaser's
Palace.
[Dr. Freex of The Bad Movie Report has reviewed
this one.]
Maybe the cafeteria is serving coffee now? |
| The She-Creature (1956)
Hypnotist accurately predicts a series of murders. He also
has a young woman in his thrall, and has been causing her to revert
to a primal crustacean creature (with breasts). Naturally,
said creature's rampages are in line with the hypnotist's
predictions. |
Need...coffee....Must...have...coffee....
[Yours truly found an unused corner of the theater (gently lit by
the glow-in-the-dark cups the StompTokyo crew provided as
promotional items) and watched the back of his eyelids.] |
| The Undertaker and His Pals (1966) Early gory-story about
a Mickey Spillane detective wannabe trying to find out who killed and mutilated his secretary. Meanwhile, the
local greasy spoon has discovered an alternative source for
meat. Comedy. |
The audience oohed and ahed and ughed
at the appropriate times. The timing on their laughs, though,
was not so appropriate. (Heh.)
Despite the poor quality of the filmmaking and humor overall, we
did find one joke we did like - it blatantly parodied
"offscreen
teleportation." |
| The Atomic Submarine (1959)
In the future, commerce relies on submersible transportation traveling
under the polar icecap. After several submarines are
destroyed, a super-sub (with a super-crew) is sent to
investigate. Eventually, they see a saucer shaped craft
and.... |
Argh! Aliens! Get 'em
off! Get 'em off!
Audience was amused by this poor attempt at merging Destination
Tokyo with flying saucers. Or is that swimming
saucers. Ah, well....
[Dr. Freex at The Bad Movie Report has reviewed
this one, too.] |
1:20ish PM
Break(down) (What it said in the schedule) |
Cafeteria is open. |
| The Mystery of the Leaping Fish
(1916)
Sherlock Holmes type detective called Coke Ennyday is hot on the
trail of drug smugglers.
[Based on the comments I heard after the fact, I doubt this is
the movie they showed.] |
Damn, this is a long line for a
cheeseburger. |
| Assassin of Youth (1937)
Young lady needs a good reputation to win an inheritance in
probate, but she runs afoul of those dangerous, brazen, evil,
psychotic, paranoid hooligans who smoke marijuana. |
Argh! Good girls meeting the
wrong crowd! Get 'em off! Get 'em off!
Recurring scenes feature an elderly woman (the town gossip) on a
motor scooter. At first, maybe one or two audience members
accompanied these scenes with the "wicked witch" theme
from The Wizard of Oz. By the fourth or fifth time, the
whole audience was into it. References to Waking Ned Devine
could not compete. |
| Dracula Has Risen from the Grave
(1968)
One of the Hammer series. A nervous priest accidentally
revives Dracula. Meanwhile, a minor domestic problem arises
when a monsignor's niece starts dating an atheist. It all
comes down to the atheist to thwart the supernatural menace, which
is a bit of problem, him not believing in crosses and prayer and all
that. |
It's kind of tough to parody a Hammer
flick. Can be done, but most of them have enough sense of
class and fun to not require it. Therefore, the audience
settled for being entertained by it on its own terms.
Not that there's anything wrong with that. |
| Mothra (1962)
Entertainment entrepreneurs discover two Polynesian fairies
living on an isolated island and kidnap them. The wee folk are
put into a show. Unfortunately (for the bad guys), the
guardian of their race is a caterpillar so big, it'd put the
Goodyear blimp to shame. The big bug rampages through Japan
looking for the fairies... |
Argh!
Giant-monsters-leveling-cities-to-rescue-someone! Get 'em
off! Get 'em off!
[Liz at And You Call Yourself a Scientist has reviewed
this one.]
By the time the last feature at a B-Fest rolls out, the audience
is remarkably silly and easily amused. Case in point. As
this movie ran, the projector kept losing the soundtrack.
That'd be bad enough, but then the projector lost the frame; that
is, the frame as projected was off by about one fifth from the
bottom.
One of the audience members ran up to screen, put his hands on
the offending line, and acted like he was trying to push it
down. Someone ran to the opposite end of the screen and did
likewise. Naturally, the frame didn't correct itself. I
shouted, "We need more people!" Several members of
the audience obliged. There were about six or seven people
trying to push the frame down into place.
Then the soundtrack died again. This was going badly.
I (and probably a couple other people) shouted, "Clap your
hands if you believe in fairies!" And the audience clapped
their hands, with a few shouts of "Live, Tinkerbell!" thrown in.
Heh, by this time, the projectionist corrected the
problems. But it was still a spiritual moment. Like I
said: remarkably silly and easily amused. (Cf. "No
rain!" at Woodstock.) |
6:00ish PM
Break(out) (Not what it said in the schedule) |
Audience picks up after itself and
goes somewhere else -- but that is another story.... |
My "non-stop" flight from Chicago to San Diego was
grounded in Las Vegas. Since it was the evening of Super Bowl
Sunday, getting another flight to San Diego from that party town was out
of the question. The booking staff put me on a plane to Phoenix with
a connecting flight to San Diego.
While waiting for this flight of the
Phoenix, a lady was doing the "wicked witch" ditty. I
giggled. And just so she didn't think I was crazy (or, rather, so
she'd understand my current craziness), I told her about B-Fest.
Fortunately, she was a cult movie aficionado and seemed interested in the
event.